Pratt Institute, USA
Video 5'25"
Keywords: AR, performance, embodiment, mixed reality.
The "60s, 24h" captures the ongoing action of two performers and geometries inhabited in the phones. Enables by the AR technology, the work considers the embodied simulations and creates different ideas of the bodily presence.
The Phantom geometries are the restless mediators between the bodily presence of two performers, the reality and virtual space. Revealing the ways in which action, object understanding can change interpersonal and spatial experience during the performance. It is a process that is not concerned with making sense of that choreography sequence are executed. Instead, sense is made when performers correctly perform the mapped actions within their phones and subsequent performance of the bodies.
"60s, 24h" attempts to expand our understanding of what performance means outside of conscious thought or intentionality and speculate a new way of performance making that extended far after the face-to-face encounter, into a murkier realm of chemical pathways and electric impulses of the brain and body.
The Future Vision Online Exhibition was available from 11 February to 11 March 2021.
What you find here is a fleeting glimpse of the 21 works – or in better words, 21 future visions – coming from artists, designers, researchers, professionals, and students who explored complex questions from a critical and creative perspective.
We extend our warmest thanks to everyone who participated in the PCD21.
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