Tivon Rice

Pattern Language
2-253

University of Washington, Department of Digital Arts & Experimental Media, United States

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How do screen-based and algorithmic design technologies affect our experiences and engagement with physical spaces, often in unseen ways?
How have our psychological and somatic encounters with real-world environments and architectures shifted–subtly or overtly–now that these spaces are so thoroughly surveyed, surveilled, designed, and devised in virtual domains?
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Pattern Language 2-253 critically examines these questions and evolving relationships, probing the potentials and limitations of language in describing the intersections of physical and virtual spaces.

The project’s micronarratives draw inspiration from the 253 chapters of Christopher Alexander’s 1977 text, A Pattern Language. Starting with investigations of large rural land-scapes and progressively zooming into cities, neighbor-hoods, streets, and individual architectures, these patterns create a kind of prototypical hypertext, suggesting combinations of multiple socio-spatial forms and relationships.

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Rather than updating Alexander’s original text, this project imagines 253 new, near-future patterns by creating a matrix of relationships between increasingly specific spaces and various descriptive voices – paranoid, surreal, speculative, and science fictional, among others. These textual provocations are generated by a natural language processing system trained on massive amounts of available internet data, combined with content from A Pattern Language itself.

This project explores each of these positions with both a "sense of wonder" and caution, investigating the ways that language is re-centered in the use of emerging Natural Language Processing and generative visual AI systems.

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Pattern Language 2-253 further explores contemporary post-digital paradigms in which not only spatial design, but indeed language, memory, imagination, and creativity are bound up in a complex of human and machine co-production.

Tivon Rice

Tivon Rice is an artist and educator working across visual culture and technology. Based in Seattle, his work critically explores representation and communication in the context of digital culture and asks: how do we see, inhabit, feel, and talk about these new forms of exchange? How do we approach creativity within the digital? What are the poetics, narratives, and visual languages inherent in new technologies? And what are the social and environmental impacts of these systems? Rice is a Fulbright scholar (Korea 2012) and holds a PhD in DXARTS from the University of Washington where he is currently Assistant Professor.

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